1861-1944   Related Paintings of Joseph E.Southall :. | Pleasures of the Seaside | Beauty Seeing the image of her home in the Fountain | Fisherman and basket Southwold | Study for Fishermen and Boat | In Tuscany |
Related Artists:
Master of the Legend
active in Cologne ca 1490/1500 Austrian painter and woodcutter. He is named after two altarpiece wings with three scenes from the Legend of SS Cosmas and Damian: the Miraculous Healing of the Leg, A Husband Commending his Wife to the Saints and the Delivery of the False Message by the Devil (Vienna, Ksthist. Mus.). He is thought to have been the earliest disciple of Lucas Cranach the elder in Austria and to have been later influenced by both Albrecht Altdorfer and J?rg Breu the elder. His rather stately figures are in splayed-out, often affected poses, with the feet and knees twisted outwards, appearing almost dislocated.
James Wilson Morrice
(August 10, 1865 Montreal - January 23, 1924 Tunis) was a significant Canadian landscape painter. He studied at the Academie Julian in Paris, France, where he lived for most of his career. Morrice was the son of a wealthy merchant, and studied law in Toronto from 1882 to 1889. In 1890 he left to study painting in England. The next year he arrived in Paris, where he studied at the Academie Julian from 1892-7. At Julians he befriended Charles Conder and Maurice Prendergast, and also met Robert Henri. Morrice continued to live in Paris until the First World War, although he spent most of his winters in Canada. He made many connections in the intellectual circles of Paris, while also remaining in touch with the Canadian art world:
Cornelis Janssens van Ceulen
(also Cornelius Jonson van Ceulen, Cornelius Johnson, Cornelis Jansz. van Ceulen and many other variants)(bapt. October 14, 1593, London - bur. August 5, 1661, Utrecht) was an English painter of portraits of Dutch or Flemish parentage. He has been described as "one of the most gifted and prolific portrait painters practising in England during the 1620s and 1630s". Janssens van Ceulen was born to Dutch or Flemish parents in London - his father had been a refugee from Antwerp, and the family had originated in Cologne. He was baptised at the Dutch church at Austin Friars, the son of Johanna le Grand and Cornelius Johnson. He may have been trained in the Netherlands, and was certainly influenced by other artists from the Netherlands, but he was active in England, at least from 1618 to 1643. In the 1620s, he lived and had his studio in Blackfriars, London, as did Anthony van Dyck; it was just outside the boundaries of the City of London, and so avoided the monopoly in the City of members of the London painters' Guild. He married Elizabeth Beke of Colchester in 1622. Janssens' son (Cornelius Janssens, junior) was born in 1634. He was also a painter. Janssens' daughter was married to Nicholas Russell of Bruges. Janssens moved to Canterbury in the mid 1630s, living with Sir Arnold Braems, a Flemish merchant. Janssens continued to live in England until after the outbreak of the English Civil War, but in October 1643, apparently at the insistence of his wife, he moved to Middelburg, and between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he was buried.